Nigerian special effects artist Hakeem Onilogbo has said artificial intelligence will not replace practical special effects artists in Nollywood, arguing that the technology should instead be used as a tool to support creativity.
Onilogbo made the comments while discussing the growing use of artificial intelligence in the entertainment industry. His position comes as filmmakers around the world increasingly explore AI-powered tools for visual effects, editing, production and other aspects of filmmaking.
According to a report by Dikkasmedia, the special effects expert believes human creativity and practical skills remain important to the production of films, particularly where physical effects and detailed craftsmanship are required.
The development of AI has generated considerable discussion within the global film industry. While some creators have embraced the technology because of its ability to reduce production time and costs, others have raised concerns about its potential impact on creative professionals.
For Nollywood, the debate is particularly relevant as the industry continues to expand its production quality and reach international audiences. Filmmakers are increasingly investing in improved cinematography, visual effects, sound and post-production as Nigerian films compete for audiences on streaming platforms and in international markets.
Onilogbo’s comments suggest that AI could be integrated into existing filmmaking processes without necessarily eliminating the need for skilled professionals. Practical effects artists, for example, can combine traditional techniques with digital tools to create scenes that would otherwise require more expensive production methods.
The discussion also comes as Nigerian entertainment continues to attract international investment and attention. Recent discussions between the Nigerian government and France-based Bolloré Group have included potential investment in film, entertainment, digital infrastructure and related industries.
As technology develops, filmmakers and creative professionals are likely to continue experimenting with different ways of combining artificial intelligence with traditional production techniques.
For Nollywood, the challenge will be finding ways to benefit from emerging technologies while maintaining the human creativity, craftsmanship and storytelling that distinguish Nigerian productions.
The growing debate over AI therefore appears less focused on whether technology will completely replace creative workers and more on how filmmakers can incorporate new tools while preserving the skills and artistic judgment required to produce compelling films.
